Before you hire an editor, you need to know what kind of help you’re looking for. Do you want developmental editing—“big-picture” feedback about structure, style, pacing and voice? A developmental edit for a work of nonfiction may include feedback about the book’s organizational structure, as well as both stylistic and informational strengths and weaknesses. (For example: “The strongest parts of the book are where you use humorous anecdotes to illustrate your points about how bad managers don’t even know they are bad managers. Why don’t you try opening each chapter with one of those anecdotes, to make it easier for the reader to identify with the problems you’re about to discuss?”) If you’re writing fiction, developmental editing also includes notes on plot, point of view and characterization. (For instance, “I think the real story starts in Chapter 3, at the moment when she wins the lottery,” or, “While I love the way you show the character growing throughout the story and her sarcasm is often funny, she comes off as unlikable. Here are some things she might do/say to get the reader.
1. You should avoid the temptation to hire someone to edit your first draft. I know you’re really excited that you finally finished that book! I’m happy for you … you should be happy for you. Celebrate it! But don’t send it to an editor yet. Put it away for three weeks and then reread, making notes on its strengths and weaknesses, asking yourself what’s missing, and flagging places where you find yourself skimming. Then rewrite the manuscript at least once—twice is better. Don’t bring in a professional until you have made the book the best you possibly can on your own. At this stage, you are still best equipped to take your book to the next level. Only when you’ve taken it as far as you can on your own will you get the most for your money in hiring a freelance editor. Read the full original article here